SUMMARY
Senior Generalist Technical Director focused on Lighting but also enjoys Texturing, Shading, Look Development, and Compositing.
As a traditional painter in the background and a self-taught in 3d, I am very persistent, hard-working, highly motivated, and dedicated
to everything that I do. Quick problem solver at any stage in production. I have a sharp eye and devote a lot of attention
to details. Amazing leadership skills. Very good in time management, always pushing to the limits and over them.
The big spectrum of knowledge doesn’t make me uncertain in any situation.
WORK EXPERIENCE
Nordeus, Belgrade, Serbia Jan2024 – Present
Lead 3D Artist
3Lateral, Novi Sad, Serbia Oct2020-Oct 2023
Senior Lighting/Generalist Technical Director
Framestore, London,UK July2018-Jul 2020
Senior Environment Technical Director
As a senior artist, I had more opportunities to work closely with supervisors and leads.
Responsible for looking at sequences on different projects. I was mostly involved in solving serious technical and creative
problems and always brought fresh ideas for everything I did. I also wrote many tools to help our department in
(Nuke,Mari, and Maya/Python). These tools gave us amazing speed up and bought more time for creativity.
Film/TV Work:
• No Time to Die 007 (2020)
• His Dark Materials (2019)
• Fast & Furious Presents: Hobbs & Shaw (2019)
• Avengers: Endgame (2019)
• The Alita: Battle Angel (2019)
• Fantastic Beasts: The Crimes of Grindelwald (2018)
Digital Kraft, Belgrade, Serbia May 2018-September 2018
Asset Supervisor/Generalist Technical Director
Double Negative, London, UK May 2017-May 2018
Generalist Technical Director
In charge of main lighting rigs, light design, look development, and some texturing as well.
Responsible for solving many problems in different production stages, especially the rendering stage.
Optimized render time while keeping the same quality.
Film/TV Work:
• The Alienist (2018)
• Loro (2018)
• The Dark Crystal: Age of Resistance (2019 )
• Black Panther (2018)
• Altered Carbon – The Killers (2018)
• Altered Carbon – Rage in Heaven (2018)
• Black Mirror – Metalhead (2017)
Digital Kraft, Belgrade, Serbia November 2013-December 2016
Lead Lighting/ Generalist Technical Director
Responsible for look development, lighting, and rendering for multiple shots.
Creating production lighting, solving problems in production, and optimizing scenes for rendering.
Besides all the above I did modeling, uv, texturing, shading, compositing…
Film/TV Work:
•TheRift 2016
•Killer Mermaid 2014,
Commercial work:
• Hasbro StarWars, Transformers, Jurasic Park, Avangers…- NiceShoes NY
• Playmation, Reebok Activechill, Frontline, Stink Stoppers, All Powercore, Yokai – NiceShoes NY
• Smurfs , Galaxy – Super78 LA, SeeFest LA, CocaCola, Grand, Marbo, AirSerbia
Whitewaterstudio, Belgrade, Serbia April 2013-Octobar 2013
Generalist Technical Director
Responsible for Modeling,Texturing,Shading,Lighting,Rendering and Compositing for highly-detailed prints and animations,.
Collaborate with art director to ensure high level of quality.
Commercial and print work:
• Cote d’or, Samsung, CocaCola, Nissan
• Nestle, VitaeneC,GalaxySmoothMilk…
Media Plus, Belgrade, Serbia, March 2012-May 2013
Generalist Technical Director/MotionGraphic/Compositing Artist
Responsible for creating animated packshots,footage retouch,motion graphic,
2d and 3d tracking,screen replacemenet
Commercial work:
•Stark, Jaffa,JelenBeer,Marbo, GrandCoffe,Fruktal…
Spring Onion, Belgrade, Serbia, March 2011-Februar 2012
Generalist Technical Director
Responsible for creating (model, UV, and texture) for environment sets, and props.
Worked on a variety of local projects.
Commercial work:
•Fiat,Trident Strawberry Gum,Stark,Zvijezda Junior,National Lottery of Serbia,
•Grand Coffe,Konzum Character Mascot, Jelen Beer…
